'A Glitch In The Matrix' is afraid of the wrong simulated worlds.
This article contains a reference to graphic violence
One of my top five experiences going to the movies of all
'Jean Of The Joneses', a classic, is an unapologetically Black comedy on life, death, and love
Jean of the Joneses, currently available to stream at the TIFF virtual cinema, is a Black, dark comedy about Black
As empathy machines, movies can only take us so far
If there is a limit to how far cinema’s role as an empathy machine can go - its line
'Kelet' is an ode to the chosen family
Recently, I was given the privilege to learn about the life of Kelet. A Solmoli woman living in Helsinki as
Nola's Shorties: Some highlights from Regent Park Film Festival’s 'Shorties' Program
(Nola’s forward)
I’m watching all of this as a Black Southern Sudanese American - So, that's
'Moving On' is a subtle and powerful ode to family
While unintentional, I’d imagine for many the core conceit of Moving On,the feature directorial debut of South Korean
‘Labyrinth Of Cinema’ is a fitting farewell love letter to Japanese filmmaking, from one of its greats
If you have yet to experience a Nobuhiko Obayashi film his final feature, Labyrinth Of Cinema, is a fitting place
Watching 'Borat Subsequent Moviefilm' in The Year of the Karen and Ken
I’ve been spending a lot of time thinking. You know, because it’s 2020 and there’s a pandemic
A conversation with Toronto Reel Asian's Head of Programming Aram Siu Wai Collier
The Toronto Reel Asian International Film Festival kicked off this past weekend and continues till Thursday. The 24th iteration of
‘The Greatest Country In The World’ is a searing mystery that interrogates Canadian immigration policy
Through a blistering and frozen Quebec winter The Greatest Country In The World projects the feeling of gathering around a
